Native American Plains Beaded War Shirt, With Three Panels of Beadwork, #794 Sold
$ 975.00
Native American Indian
Beaded Plains Indian War Shirt
794. Description: Native American beaded war shirt Plains Indian with three large panels of bead work, fringe on sides and arms and horse hair drops
Dimensions: 21 inches shoulder to shoulder.
Condition: Good condition considering its age and use.
Plains Indian bead work is a highly evolved art form, with the greatest connoisseurs being Indian people themselves. Although traditional bead work artists did not create with a brush and palette, their creations truly are a fine art.
Almost all Plains tribes used beads that they made from animal bones, teeth, or shells. Glass beads, however, which often came from Venice, Italy, began to reach the Plains in the early 1800's. Brought by traders who rode ponies, these so-called pony beads were fairly big, upwards of one-eighth inch in size. Limited to only a few colors (primarily white, blue, black, and red), pony beads tended to inspire large, bulky designs. Seed beads—much smaller and available in a broader palette—appeared in the late 1840's and soon became easily obtainable.
Because smaller beads allowed patterns to become more detailed and refined, different bead work styles began to take shape. Three tribes—the Blackfeet, Lakota, and Crow—developed distinctive stitching techniques, colors, and patterns. Neighboring groups were usually influenced by at least one of these styles. Traditional bead work reached a peak around 1890, but many contemporary Indian artists continue to work in the medium, keeping the art form very much alive. (Source: The Minneapolis Institute of Arts).
Beaded Plains Indian War Shirt
794. Description: Native American beaded war shirt Plains Indian with three large panels of bead work, fringe on sides and arms and horse hair drops
Dimensions: 21 inches shoulder to shoulder.
Condition: Good condition considering its age and use.
Plains Indian bead work is a highly evolved art form, with the greatest connoisseurs being Indian people themselves. Although traditional bead work artists did not create with a brush and palette, their creations truly are a fine art.
Almost all Plains tribes used beads that they made from animal bones, teeth, or shells. Glass beads, however, which often came from Venice, Italy, began to reach the Plains in the early 1800's. Brought by traders who rode ponies, these so-called pony beads were fairly big, upwards of one-eighth inch in size. Limited to only a few colors (primarily white, blue, black, and red), pony beads tended to inspire large, bulky designs. Seed beads—much smaller and available in a broader palette—appeared in the late 1840's and soon became easily obtainable.
Because smaller beads allowed patterns to become more detailed and refined, different bead work styles began to take shape. Three tribes—the Blackfeet, Lakota, and Crow—developed distinctive stitching techniques, colors, and patterns. Neighboring groups were usually influenced by at least one of these styles. Traditional bead work reached a peak around 1890, but many contemporary Indian artists continue to work in the medium, keeping the art form very much alive. (Source: The Minneapolis Institute of Arts).
